Art History Museum Paper Essay

The Statue of Kaipunesut dates back to the fourth dynasty in the hoary Kingdom of Egypt. It was excavated at Saqqara, a vast burial ground. This specific opus was located at the mastaba of Kaemheset, which was Kaipunesuts brother. It was carved out of acacia woodwind which is a native timber of Egypt. The native wood did not make out the highest standard of forge because it was knotty and fibrous which made it difficult to use. The wood was usually painted with bright colors the body was most credibly a reddish/brown color. Although most of this sculpture was preserved, the paint wore come to long ago. His belt has his name and Royal Carpenter inscribed which suggested his occupation. It is feasible that he was involved with making his own wooden statues. Sculptures based on royalty was made with hard stone to last forever bandage others of less importance were sculpted with various materials that were not necessarily meant to last.This sculpture is in the round and closed. It has no back rest or support. there are no spaces in the body and the arms are precise close to the sides. The fix was genuinely formal with weight put on both legs and facing a frontal direction. The figure is stylized. His face has actually large, semicircular eyes and elongated lips. Also, he has broad shoulders and a very thin waist. His fist also appears to be very large. His belt and chill is form fitting but very rigid and does not commingle freely. His body is proportional and appears to follow a grid. This might be because of the multiplication when the king or pharaoh demanded perfection. The calf is bulky and does not show definition. The knee appears somewhat organic but is stylized at the same time. Kaipunesut is in a very rigid standing position. His hands are prehend and his arms are straight down on his sides. One of his legs is in front of the other and both knees are locked. This type of formal pose was very common in sculptures during this time and wen t on for a maculation afterwards.